On June 28 6 PM at the Museum of Modern Art, by invitation only, there will be a reception, a screening of the documentary trailer, and two short films about Rehearsal Club residents, Phyllis Jeanne Creore, the NBC Canteen Girl in World War II, and Doris Eaton Travis, the last of the Ziegfeld girls, who died in 2010 at age 106. On that evening at 6 PM, at the Bruno Walter Auditorium of the New York Public Library for the Performing Arts, at Lincoln Center, there will be a three-part event open to the public: the screening of a trailer, narrated by Danner, for a proposed documentary on the club excerpts from a work in progress, Good Girls Only – The Rehearsal Club Musical and a panel discussion on the need for affordable housing for young performers arriving in New York City. The club closed in 1979, but since it traces its origins to 1913, a group of alumnae is getting together for a centennial celebration beginning June 27. The closet looked like it had exploded, leaving skirts, blouses, coats, sweaters and shoes piled on top of one another from ceiling to floor." Danner and Burnett are remembering the Rehearsal Club, two connected brownstone buildings on West 53rd Street in Manhattan that provided refuge for young women who had arrived in New York from all over the country with that dream of theatrical success, which has propelled countless thousands to a life of auditions in the big city. "I was given the corner cot and dresser," she wrote in her 2010 memoir, "This Time Together." "The bathroom always had newly washed stockings, panties and bras hanging on the towel rods. She lived in a room for five women, with five cots and five dressers, one bathroom, one closet. We were all there just to start our lives in New York." And "the rent was $30 a week, including two meals a day."įor Carol Burnett, it was the mid-1950s. "Rockettes, opera singers, budding actresses. "Girls were running up and down the stairs singing," Danner recalls. Adding and saving media is as easy as dragging and dropping content in and out of the portal, or you can share media with anyone using email.Blythe Danner was there in the mid-1960s.
There’s a Flow section for seeing what’s been added in a timeline format, and other Upthere users can share collections called Loops with you that appear in the app. (I use Apple Music and iCloud Photo Library, but I haven’t previously been able to easily sync Photo Booth to a cloud library before.) The app itself is basically a portal organized by your Photos & Videos, Music, and Documents. For me, I started by sharing media with Upthere: my photo library from Apple’s Photos app, my music collection in iTunes, and even the fun snapshots from Photo Booth.
UPTHERE HOME MAC
The first app runs on the Mac and is called Upthere Home, seen above. I got the chance to try out each of the new apps overnight, and while my data is spread across iCloud and Dropbox right now, Upthere’s new apps make a good first impression and look promising. Cloud services like Dropbox and iCloud tackle different areas of the problem is different ways, but Upthere believes keeping everything on the server then bringing it to your device on demand is the suitable approach. The idea behind Upthere is that data connections are plenty fast for a lot of people but local storage is a growing issue. Now Upthere is officially launching its first products in beta: Upthere Home and Upthere Camera.
Details were still sparse on what exactly Upthere would offer aside from being a different kind of cloud service option for your data. Two weeks ago Upthere, the cloud company co-founded by former OS X chief Bertrand Serlet, officially launched after several years of stealth development.
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